Mixing installation and video-art, Zhang is quickly emerging as one of the most provocative and intriguing of China's new generation of artists. Unapologetically voyeuristic, Zhang's installation ”Pry” (2005-ongoing) explores the relationship between the viewer and the viewed, superiority and inferiority, exploiter and exploited. This is done with rare sensitivity and non-judgmental loyalty towards featured destinies, all of which share a commo ...